The trio’s house music remains deeply eccentric, though, its sonorities bright and its rhythms ramshackle. Their third EP for the label, São João Baptista, a scrawl of clapped-out drums and spidery guitars, highlights their idiosyncrasies. Sonically, the trio have found new ways to make the analogue and the electronic sit well together; stylistically, their mutant-funk tendencies are given freer rein.
Niagara started 2016 firmly committed to their own Ascender label, having released a first 12″ late in 2015. A string of stellar CDRs guaranteed their relevant (and private) output became available outside their studio. The consistency is such that it was no effort selecting 4 additional tracks to assemble a third EP on Príncipe.
Opener “Asa” is strong on keys, suggests a cool jazz walkabout where the machines and other instruments seem to be jamming together without interference. This broadens the horizon of whoever thought they are a House band;
As countless other dance tracks, “IV” is built around a steady kickdrum, supporting a succession of vibes hitting left and right, obeying only the illogical architecture of Niagara’s sonic world;
“Amarelo” is the longest track in the set. Very physical and expansive beats, a funky guitar groove, deep bass tones and it ends just like that!
A cascading drum machine holds its own, then comes a wandering flute and passing waves as jets in the sky. Trippy and brilliant, “Laranja” changes coordinates and points to a fresh destination.
released October 29, 2016
Written and Produced by Niagara
Mastered by Tó Pinheiro Da Silva
Artwork by Márcio Matos
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